Will Self, author of Umbrella, How the Dead Live, and a new memoir, Will, discusses his provocative argument that trauma—in literary, historical, and cultural criticism—is wildly overused and misapplied. Rather than it being a phenomenon that has persisted throughout human history, Self contends that it is a product of modernity; while past injustices and injurious experience (war, slavery, abuse) may seem to have produced trauma-like symptoms, we have no way of judging whether they resemble trauma as we now conceive of it. Harper’s Magazine web editor Violet Lucca talks through the finer points of Self’s thesis. Read Self’s essay: https://harpers.org/archive/2021/12/a-posthumous-shock-trauma-studies-modernity-how-everything-became-trauma/ This episode was produced by Violet Lucca and Andrew Blevins.
The Harper’s Podcast
Since 1850, Harper’s Magazine has provided its readers with a unique perspective on the issues that drive our national conversation, featuring writing from some of the most promising to most distinguished names in literature–from Barbara Ehrenreich to Rachel Kushner. Listen as Harper's editors and contributing writers take a deep dive into these topics and the craft of long-form narrative journalism.
Since 1850, Harper’s Magazine has provided its readers with a unique perspective on the issues that drive our national conversation, featuring writing from some of the most promising to most distinguished names in literature–from Barbara Ehrenreich to Rachel Kushner. Listen as Harper's editors and contributing writers take a deep dive into these topics and the craft of long-form narrative journalism.Listen on
Substack App
RSS Feed
Appears in episode
Harper’s Magazine
Share this post