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After the Titan
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After the Titan

An author reflects on his own experience in an amateur submersible

After the Titan submersible imploded last week, Matthew Gavin Frank’s journey to the depths with Karl Stanley, a friend of Stockton Rush’s, took on a new meaning. (Frank rode in Stanley’s sub in February of this year; his essay, in which Frank meditates on the eternal dangers and allure of deep-sea exploration, went online the day after the OceanGate sub went missing.) He discusses Stanley’s warnings to Rush, mass fear, and whether he regrets his experience.

  • Subscribe to Harper’s for only $16.97: harpers.org/save

  • “Submersion Journalism,” Matthew Gavin Frank’s essay in the July issue of Harper’s

  • The New York Times piece which mentions Stanley’s objections to the Titan

  • [8:46] Submersible enthusiasts ignore the all-encompassing danger of the sea

  • [13:57] The psyche of a submersible enthusiast vs. the psyches of the rest of us

  • [16:13] “There is a malign quality to this certain and particular breed of wonder.”

  • [19:32] The Titan tapped into “a fuse of our greatest, fearful hits.”

  • [20:31] How the countdown aspect made us “keenly aware of how much closer we are to our own deaths”

  • [22:38] Joking out of love, joking out of spite, and roasting someone after they’ve died

  • [25:53] The media’s endless quest for ratings

  • [32:15] “If there is such a thing as an expert in risk assessment in one-off, uncertifiable, deep-sea manned vehicles, my resume is hard to beat.”

  • [35:28] Going for a walk, as an antidote to submersible addiction

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Harper’s Magazine
The Harper’s Podcast
Since 1850, Harper’s Magazine has provided its readers with a unique perspective on the issues that drive our national conversation, featuring writing from some of the most promising to most distinguished names in literature–from Barbara Ehrenreich to Rachel Kushner. Every week, host Violet Lucca joins her colleagues and contributing writers to provide listeners with a deep dive into these topics and the craft of long-form narrative journalism.
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