Claire-Louise Bennett speaks to Violet Lucca about Louise Bourgeois’s work and the process of free association she chose to document her experience of it. Bennett discusses what it means to regiment pain—the persistent subject of Bourgeois’s work, her “business”—to the demands of form in writing. She follows other threads of association that weave together the artist’s life and her own. Bennett’s review of Louise Bourgeois: The Woven Child and The Artist’s Studio: A Century of the Artist’s Studio 1920–2020 appears in the September issue. Read it here: https://harpers.org/archive/2022/09/louise-bourgeois-the-artists-studio-a-formal-feeling/ This episode was produced by Violet Lucca and Madeleine Crum, with production assistance from Ian Mantgani.
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Since 1850, Harper’s Magazine has provided its readers with a unique perspective on the issues that drive our national conversation, featuring writing from some of the most promising to most distinguished names in literature–from Barbara Ehrenreich to Rachel Kushner. Listen as Harper's editors and contributing writers take a deep dive into these topics and the craft of long-form narrative journalism.
Since 1850, Harper’s Magazine has provided its readers with a unique perspective on the issues that drive our national conversation, featuring writing from some of the most promising to most distinguished names in literature–from Barbara Ehrenreich to Rachel Kushner. Listen as Harper's editors and contributing writers take a deep dive into these topics and the craft of long-form narrative journalism.Listen on
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